It’s been over two years since I began making the first Nemes crown to interest my son in Ancient Egyptian history. Since then the posts on my thoughts and process have been viewed many times more than I could have anticipated. Initially, they were getting too few views to persist with, but I did. I was entrenched in a 12 hour a day job in hospitality and believed that if I didn’t keep blogging that I’d lose whatever ground I had made with it and perhaps forget how to write. I had to publish something. Reading over them the other day I cringed. What has made them so popular?
I ended up making two crowns as I wasn’t happy with the first and blogging about both of them. What intrigued me at the time was the difference between Tutankhamen’s crown and other King/Pharaoh’s. There was the uraeus and vulture coupling at the forehead and the ponytail at the back. I encountered many considerations in making them sit evenly:-
- should I use a support for the fabric – as starching fabric didn’t come into use until about the 16th century CE in Europe
- ensuring that the stripes presented correctly
- ensuring that the shoulder lappets stood perpendicular to the face and sat on the shoulders
- ensuring the lappets didn’t flap
- and an unexpected one, making sure that the crown didn’t ride back.
I had to consider the possibility that the golden crown was a figurative representation of a religious idea – that the pharaoh shone golden light. The problem was in choosing a fabric – what colour should the stripes be – golden thread and applique would not come into use until the time of the Romans.
With all of these considerations, wouldn’t it all be easier if it was made out of gold? And if it was to be gold why didn’t they just bury it with him when the time came?
Two years down the track and I’m faced with another possibility. Recently there has been an announcement that the artefacts from King Tutankhmen’s tomb will be making their way Down Under in 2021. Very exciting news – more work for me. You see, if I were to take my son to see the exhibition wearing either of the Nemes Crowns that I made, he would look ridiculous. He has out grown them already. Twelve years old when I made them, he is now nearly fifteen. His age coincides with that of King Tut when he reigned. If Tutankhamen wore a linen Nemes crown then several must have been made for him over the course of his reign. I wonder whether there will be a few in the exhibition if any at all.
I hypothesized at the time that perhaps King Tut never wore a cloth Nemes Crown. As a child growing up, wouldn’t it be convenient to have an official pharaonic mask and crown that someone else could wear on ceremony for him? How awe-inspiring could a child-king be? Could this be the idea that has inspired interest in visitors to this blog?
Or could it be questions about the coupling of the vulture and uraeus. Looking at many images through Lionel Casson’s Time-Life Books, Ancient Egypt, and confirming my suspicions with google image searches, and Pinterest searches I noticed that the vulture on his Nemes Crown only appears on his funerary artifacts – something that he couldn’t have arranged for himself. Why would his successor, Ay, have instigated this? Was it politically motivated to present a united Egypt – each animal representing a different half of Egypt? Did it have more to do with added protection for the boy-king in the afterlife?
What I’ve taken away from the exercise which saw me comparing crowns from different eras of Egyptian history is the belief that in the Old Kingdom Nemes crowns were linen and the king didn’t necessarily have to wear a uraeus. By the time of the New Kingdom – I will believe until I get to that exhibition in 2021 – the uraeus was entrenched in the presentation of the Pharoah and his crown was made of gold.
An index to all of my Nemes Crown related posts appears at the end of the post, King Tut’s Crown: A Lapidary Jeweller’s Perspective.
My interview with History of Egypt podcaster, Dominic Perry, appears here. I was listening to this wonderful podcast while I was crafting and researching my ideas. Joyce Tydlesley’s Tutankhamen’s Curse and Carl Roebuck’s World of Ancient Times were also very informative and thought provoking.
Now my challenge is to write something just as interesting, if not more.