Trojan Women by Euripides
Hellenic Art Theatre
Director: Stavros Economidis
Euripides was a complex fellow. He wrote tragedies for the stage that garnered him a lot of negative criticism but also public acclaim. He revelled in women’s concerns, writing some of the strongest women in theatre history, however, he was accused of being a woman hater. Was he? He certainly parades a few outraged, noble heroines in this production but what of his fascination for the femme fatale? Admire them he did, but he couldn’t quite trust them or the beguiling power of their sexuality. In The Trojan Women he also takes on controversial subjects like the futility of war, raising the mirror to his own community’s faults, painting them the villains. Consequently, he is considered a very modern playwright. 2500 years later we still relate to his messages.
Hellenic Art Theatre is presenting this Ancient Greek tragedy in Greek with English surtitles at their theatre space in the Addison Road Community Centre as part of the Greek Festival of Sydney. Directed by Stavros Economidis, this production has all of the elements that you would expect from Ancient Greek Theatre: monologues; masks; an ever-present chorus and drama, drama, drama.
The Trojan Women looks at the devastation of war. Through the experiences of one family – the family singled out by the Greeks to receive the harshest treatment because they are the first family of Troy – Queen Hecuba, the princesses Polyxena, Cassandra and Andromache, Euripides highlights the plights of the losers, the prisoners, the enforced exiles. Hellenic Art Theatre invites its audience to relate to the women as refugees and boat people. Unlike the refugees of our day, they are not leaving their homeland to start again but as captives of the killers of husband, father and son.
Mimika Valaris as Hecuba, is Troy – its queen, its first mother, grandmother, shepherdess and widow. She carries the audience with her as she embodies the loss of home, community, family and order. She is Euripides first wailing woman, manifesting the pain, fear, uncertainty, and rage of all of the women of her city. And her women – the women of Troy are the masked ladies of the chorus. They are the commentary on the events unfolding and the emotional thermometer. If this is your first Ancient Greek play the chorus will impress you in the interplay between the individual members and the group and the stylised use of space. The chorus remains the voice of the individual subsumed into the collective voice of a united community suffering together.
Talthybius (Nick Tsioukanis), the Greek’s messenger provides the book end of each monologue but he is also the one who moves along the action. Special mention must be made of child actor, Deon Gama who performed his silent role with maturity and focus beyond his years.
Visually, it is an impressive production. The thrust stage with its apron seating closely approximates an ancient amphitheatre. The costumes glitter and contrast with the walls and fallen blocks of the city. The monologues are physicalized with big gestures helping to convey meaning to a non-Greek speaking audience.
You can see this production, with its easily accessible English surtitles each weekend until the 7th April. With Greek Theatre not performed outside a University setting very often, it’s a good opportunity to see the work of one of the greatest Classical tragedians. Tickets can be booked online http://www.hellenicarttheatre.com.au/
This blog post first appeared on the St George and Sutherland Shire Leader website on March 20, 2019.