Have you ever looked forward to a book soooooo much that when it’s finally released you can’t bring yourself to read it? Have you coveted that book to the degree where you’ve squirrelled it away for just the right circumstances to come together to allow you the luxury of time and the indulgence of space to maximise the enjoyment you know it will provide you? And when you finally embarked on that torrent of words did their passage augur more than you even expected? And at the end of the journey when you reached Ithaca, having endured emotional travails and survived, did you experience that redemption – that revelation – that homecoming – that happily ever after?
Well, I didn’t. Not fully. Not exactly. Not quite with Richard Flanagan’s The Narrow Road to the Deep North and boy, did I sit on that book- waiting for the perfect moment to begin reading it – since 2014!
The problem is, Mr Flanagan built up my expectations for a romantic journey out of existential spiritual darkness into the light of reunion and the righting of deeply entrenched wrongs with a happily ever after… but there wasn’t one.
His main character’s story had the hallmarks of romance: melodrama- beautiful moments-charismatic heroine- brooding hero – all-consuming attraction, but not the carry through. It was almost a romance but just didn’t get there.
How? Why? What happened?
Hmm… it begs another question, maybe he doesn’t know how to write a romance? What if he tried his best and all he could manage was that much?
How disappointing for him! To put down such a sweeping story and not manage to cross the finish line for the main protagonist!
Flawed? He must have been floored when he finished it. Luckily for him, he was handed a consolation prize to encourage him to keep on – the Man Booker Prize.
However, I believe a piddling prize like that alone won’t aid him achieve the perfect historical romance. I think he will greatly benefit from the following reading list. I’ve put it together for him keeping in mind the themes he exercises: melodrama; redemption; pathos; flawed characters; catharsis after struggle; love ethereal, undeniable and uncontrollable; self knowledge/ identity; and a strong sense of mateship.
Redemption, redemption, redemption! Flawed character healed by love after years of suffering and searching for his lost love.
The fanciful world building in this one makes it potentially more of an enjoyable book for women than men. Ewan, Duke of Marwick and Doriego Evans have a lot of suffering in common.
Melodrama-flawed characters healed by love – abuse of power by person of responsibility leading to years of disempowerment and grief – healed by love – mateship between the three friends
Classic blend of historical romance and old fashioned melodrama.
Crippling self doubts over loss of identity, a long suffering fiancé- love bolstering and healing- humour – Julia Quinn’s light touch
This is not typical of historical romance due to the time spent with the identity crisis of the male protagonist – which is absolutely engaging. To get the full on fun elements from the melodrama the companion story The Lost Duke of Wyndham has to be read. These two books should have been published as one as there is unnecessary overlap between them. To appreciate both, leave a time gap between them when reading.
Irrational love, a power unto itself – melodrama – a strong sense of mateship among the club workers that’s sentimental and sweet in its own way – suffering, brooding hero – pathos- forgiveness.
Another classic blend of historical romance and old fashioned melodrama.
A warrior trying to relax into civilian life- an irrational attraction that can’t be controlled- melodrama – forgiveness and redemption – loyalties challenged – humour – pathos – dramatic tension
This one has all the charm and humour of a Golden Years of Hollywood adventure tale – think Errol Flynn or Clark Gable in rom-com mode. Sentimentality, loyalty and humour not only through the heroine’s antics but through the secondary characters supporting her.
All with HEAs. Happy reading!